yes I'm late to the youtube party as usual, but I just can't get this track outta my mind.
Wednesday, 25 April 2012
Another Day another piece of useless information
Or another video in this case.
yes I'm late to the youtube party as usual, but I just can't get this track outta my mind.
yes I'm late to the youtube party as usual, but I just can't get this track outta my mind.
Thursday, 19 April 2012
Thursday, 12 April 2012
Make mine a scoop of Stawberry Blondes
I don't know about you but I def think it's flavour of the month
Points to whoever can tell who's who.
Still love
I've not seen Homelands. Yes I must get my act together by boy does the Danes look better the older she gets
Just love
Wednesday, 11 April 2012
Ass and Titties
Just thought I would write an ode to girls with junk in their trunk and big ol' fillet o' fish up top.
Enjoy.
Tuesday, 3 April 2012
Monday, 2 April 2012
Sarah Sze
I have no idea what the hell this is but HOW AMAZING does this look.
But to help you understand a little more about the exhibition in Luxembourg is about, in the words of curator Marie Noelle Farcy:
Inspired by Japanese-Chinese horticultural art, Sarah Szecreates visual landscapes of an abstract nature which are structured without any trace of structure or direction
Her works are often designed for display in intermediary places that attract little attention, such as stairwells, side corridors, corners or window niches. Sometimes hovering, and always light and playful, they ask general questions about scale: near and far, heavy and light.
Each individual work also interrogates the place in which it is exhibited and the (concrete and ideational) space of art that the viewers enter, often without noticing.
Each individual work also interrogates the place in which it is exhibited and the (concrete and ideational) space of art that the viewers enter, often without noticing.
Like gigantic scientific models of elegant and meditative microcosms, the works of Sarah Sze seem to comment on our behavioural patterns and our relationship with our world.
Thanks to Ben Woodeson for providing the lead and inspiration.
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